“From the marble quarries of Tuscany to the magnificent stone temples of Angkor Wat, Liz Johnson has assembled a powerful and absorbing visual record of the complex interaction between man and the environment”
Black & White Magazine, Issue no. 40, Nov/Dec 2005

Liz works with large film cameras, the largest being a 10”x8” Deardorff. She produces archivally permanent gelatin silver images on fibre-based paper, and tones these in selenium and sometimes in gold toner. Image sizes range from 5”x4” contact prints to 24”x20” enlargements. In addition to gelatin silver she also uses traditional contact printing processes such as platinum and printing out paper (POP).

Liz has attended workshops led by eminent photographers from both sides of the Atlantic. These include Thomas Joshua Cooper, John Blakemore, Jan Groover, Melanie Manchot, Fay Godwin and Keith Carter. She regularly participates in residential workshops at the Inversnaid Photography Centre in Scotland.

She is a member of IRIS International Centre for Women in Photography

Liz is profiled in the American photographic journal Black & White Magazine, issue no. 40, Nov/Dec 2005 (read review).

David taught Art in colleges in Jamaica, on Tyneside and in Scarborough, and now works as a full-time artist whilst continuing to run occasional workshops.

He studied at Sunderland College of Art and at the University of Newcastle on Tyne and in 1995 gained an MA in Fine Art from the University of Humberside.

David works on a wide range of scales and with a variety of media. He admires the work of contemporary artists such as Frank Auerbach and Lucien Freud, as well as that of more abstract artists, including Ian McKeever and Michael Porter.

David is a member of the Lake Artists Society.

David in front of his Avalanche painting

All images copyright © Liz Johnson & David Fulford